In this unusual spin on an old favorite, Cinderella is a boy! He's Cinderellis, and he has two unfriendly brothers and no fairy godmother to help him out. Luckily, he does have magical powders, and he intends to use them to win the hand of his Princess Charming-- that is, Marigold. The only problem is-- Marigold thinks Cinderellis is a monster!

Gail Carson Levine is the author of Ella Enchanted, a spirited retelling of the "real" Cinderella fairy tale and a 1998 Newberry Honor Book. In this fourth of her Princess Tales, Levine brings new life and new fun into a little-known tale and proves that determination, imagination, and kindness can carry the day.

But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers.

When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix:

Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction...

Napoli, however, brings a fresh slant to the story through the eyes of the Beast, Prince Orasmyn, who has been transformed by a curse into a lion--and can only be redeemed by the love of a woman. From this four-footed perspective, the young prince struggles to learn how to survive as a beast while retaining his humanity in devotion to Islamic moral principles. Fleeing his father's hunting park, he travels as an animal across Asia to France, where he at last finds an abandoned chateau. There, using paws and jaws, he plants a rose garden and prepares the castle for the woman he hopes will come to love him. Enter the merchant, the plucked rose, the brave Beauty, and the story wends to its traditional end--but this time with compassion and a new vividness. Into this sumptuous tapestry Napoli has woven a wealth of lore about Persian literature, the tenets of Islam, rose culture, animal behavior--even a leonine mating scene. This level of detail makes for a leisurely pace and a novel that may be more appropriate for older teens who are willing to savor the journey rather than the destination. After all, we all know how the story ends. (Ages 14 and older) --Patty Campbell

The plot follows that of the renowned legend: Beauty selflessly agrees to inhabit the Beast's castle to spare her father's life. Beauty's gradual acceptance of the Beast and the couple's deepening trust and affection are amplified in novel form. Robin McKinley's writing has the flavor of another century, and Beauty heightens the authenticity as a reliable and competent narrator.

This was McKinley's first book, written almost 20 years ago. Since that time she has been awarded the Newbery Medal for The Hero and the Crown and has delighted her fans with another retelling of the Beauty and the Beast fable, Rose Daughter. Still, McKinley's first novel has a special place in the hearts of her devoted readers, many of whom attest to relishing Beauty time and again. (Ages 11 to Adult) --This text refers to the Hardcover edition.

The skeptical author sets out to remedy these flaws in six different imaginative retellings full of sassy humor that teens will relish. Sticking closely to the spirit and setting of the original, she changes only one or two building blocks in the plot structure and comes up with some surprising results. In one story, the miller's daughter is an obnoxious groupie pursuing the polite and gentle king; in another, Rumpelstiltskin is female; and in a third, the dwarf appears as a troll with a yen to eat human baby who sets up the whole scenario as an attempt to get his hands on a toothsome infant. ("Tastes just like chicken," scoffs his brother-in-law.)

Teen readers will appreciate the wit and freshness of these smart-mouth renditions of a traditional story. (Ages 10 to 14) -- Patty Campbell

Although the entire novel is well written, McKinley's characterization of Rosie's animal friends is exceptionally fine. Observations such as "...foxes generally wanted to talk about butterflies and grasses and weather for a long time while they sized you up," will spark reader's imaginations. It won't be hard to persuade readers of any age to become lost in this marvelous tale; the difficult part will be convincing them to come back from McKinley's country, where "the magic... was so thick and tenacious that it settled over the land like chalk dust...." Highly recommended. (Ages 12 and older) --Jennifer Hubert --This text refers to the Hardcover edition.

Although his fears turn out to be warranted, as he and his cursed princess contend with the diabolical witch Baba Yaga--easily Russia's best pre-Khrushchev villain--to save the princess's kingdom, Enchantment is ultimately a sweet story. Mixing magic and modernity, the acclaimed Orson Scott Card (Ender's Game) has woven threads of history, religion, and myth together into a convincing, time-hopping tale that is part love story, part adventure. Enchantment's heroes, "Prince" Ivan and Princess Katerina, must deal with cross-cultural mores, ancient gods, treacherous kinsmen (and fianceés), and ultimately Baba Yaga herself.

Card has a knack for coming across like your nerdy dad at times, when he runs on too long or makes some particularly wince-inducing observation or reference ("Daaad, Bruce Cockburn is not cool!"). But, as you might expect of a good dad, as uncool as he might be, Card still manages to tell a good bedtime story. --Paul Hughes --This text refers to the Hardcover edition.